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1 miracle
miracle [miʀαkl]1. masculine nouna. miracleb. ( = pièce de théâtre) miracle play2. invariable adjective* * *miʀɑkl
1.
adjectif invariable
2.
nom masculin1) gén miracleaccomplir or faire un miracle — Religion to work a miracle; fig to work miracles
2) ( drame sacré) miracle play* * *miʀɒkl nm* * *A adj inv un remède/une solution miracle a miracle cure/solution; un procédé/matériau miracle a miraculous process/material; un médicament miracle a wonder drug; une méthode miracle a magic formula.B nm1 Relig, fig miracle; il faudrait un miracle pour qu'il guérisse only a miracle could cure him; à moins d'un miracle nous ne pourrons pas sauver l'entreprise nothing short of a miracle will help us save the business; miracle économique economic miracle; accomplir or faire un miracle Relig to work a miracle; fig to work miracles; tenir du miracle to be a miracle; croire aux miracles lit to believe in miracles; fig to live in cloud cuckoo land○; il n'y a pas de quoi crier au miracle there's nothing miraculous about it; un miracle de l'architecture/de la littérature an architectural/a literary wonder; un miracle de beauté/d'équilibre a miracle of beauty/balance; un miracle de la nature a miracle of nature; par miracle miraculously; comme par miracle as if by magic;2 ( drame sacré) miracle play.[mirakl] nom masculin1. [intervention divine] miraclele miracle de l'amour the miracle ou wonder of lovemédicament miracle miracle ou wonder drug————————par miracle locution adverbiale -
2 cud
miracle; ( zjawisko) wonderjakim cudem? — pot how come?
* * *mipl. -a (= zjawisko nadnaturalne, t. rel.) miracle; przen. (= zdumiewające zjawisko, rzecz, osoba) wonder, marvel, miracle, prodigy; czynić cuda l. dokonywać cudów t. przen. work l. perform l. accomplish miracles; przen. work marvels, do l. work wonders; siedem cudów świata the seven wonders of the world; cud boski God's miracle; cud inżynierii marvel of engineering; cud natury wonder of nature; cud piękności marvelous beauty; cud gospodarczy economic miracle; to cud, że... it's a miracle that...; opowiadać cuda iron. tell fairy stories; dokonywać l. dokazywać cudów do l. work wonders l. miracles ( za pomocą czegoś with sth); ósmy cud świata żart. l. iron. cat's whiskers l. pyjamas; wiara czyni cuda faith works wonders; wyrabiać l. wyczyniać cuda (= robić coś dziwnego l. nadzwyczajnego) do magic tricks ( z czymś with sth); (= płatać figle) play pranks; nie ma cudów (= bądźmy realistami) let's face it; let's be realistic; pot. (= nie ma obawy) never fear; nie ma cudów, musi się udać I'm sure it can't go wrong; cuda niewidy iron. the most incredible things; int. (and) pigs might fly.The New English-Polish, Polish-English Kościuszko foundation dictionary > cud
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3 чудо
1. miraculously2. prodigy3. miracle; marvel; wonderкак ни странно, каким-то чудом — for a wonder
4. marvel5. portent6. wonderСинонимический ряд:диво (сущ.) диво; диковина; диковинка; диковинку; диковину; невидаль; невидальщина; невидальщину -
4 экономическое чудо
Бизнес, юриспруденция. Русско-английский словарь > экономическое чудо
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5 экономическое чудо
Русско-английский большой базовый словарь > экономическое чудо
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6 Wren, Sir Christopher
SUBJECT AREA: Architecture and building[br]b. 20 October 1632 East Knoyle, Wiltshire, Englandd. 25 February 1723 London, England[br]English architect whose background in scientific research and achievement enhanced his handling of many near-intractable architectural problems.[br]Born into a High Church and Royalist family, the young Wren early showed outstanding intellectual ability and at Oxford in 1654 was described as "that miracle of a youth". Educated at Westminster School, he went up to Oxford, where he graduated at the age of 19 and obtained his master's degree two years later. From this time onwards his interests were in science, primarily astronomy but also physics, engineering and meteorology. While still at college he developed theories about and experimentally solved some fifty varied problems. At the age of 25 Wren was appointed to the Chair of Astronomy at Gresham College in London, but he soon returned to Oxford as Savilian Professor of Astronomy there. At the same time he became one of the founder members of the Society of Experimental Philosophy at Oxford, which was awarded its Royal Charter soon after the Restoration of 1660; Wren, together with such men as Isaac Newton, Robert Hooke, John Evelyn and Robert Boyle, then found himself a member of the Royal Society.Wren's architectural career began with the classical chapel that he built, at the request of his uncle, the Bishop of Ely, for Pembroke College, Cambridge (1663). From this time onwards, until he died at the age of 91, he was fully occupied with a wide and taxing variety of architectural problems which he faced in the execution of all the great building schemes of the day. His scientific background and inventive mind stood him in good stead in solving such difficulties with an often unusual approach and concept. Nowhere was this more apparent than in his rebuilding of fifty-one churches in the City of London after the Great Fire, in the construction of the new St Paul's Cathedral and in the grand layout of the Royal Hospital at Greenwich.The first instance of Wren's approach to constructional problems was in his building of the Sheldonian Theatre in Oxford (1664–9). He based his design upon that of the Roman Theatre of Marcellus (13–11 BC), which he had studied from drawings in Serlio's book of architecture. Wren's reputation as an architect was greatly enhanced by his solution to the roofing problem here. The original theatre in Rome, like all Roman-theatres, was a circular building open to the sky; this would be unsuitable in the climate of Oxford and Wren wished to cover the English counterpart without using supporting columns, which would have obscured the view of the stage. He solved this difficulty mathematically, with the aid of his colleague Dr Wallis, the Professor of Geometry, by means of a timber-trussed roof supporting a painted ceiling which represented the open sky.The City of London's churches were rebuilt over a period of nearly fifty years; the first to be completed and reopened was St Mary-at-Hill in 1676, and the last St Michael Cornhill in 1722, when Wren was 89. They had to be rebuilt upon the original medieval sites and they illustrate, perhaps more clearly than any other examples of Wren's work, the fertility of his imagination and his ability to solve the most intractable problems of site, limitation of space and variation in style and material. None of the churches is like any other. Of the varied sites, few are level or possess right-angled corners or parallel sides of equal length, and nearly all were hedged in by other, often larger, buildings. Nowhere is his versatility and inventiveness shown more clearly than in his designs for the steeples. There was no English precedent for a classical steeple, though he did draw upon the Dutch examples of the 1630s, because the London examples had been medieval, therefore Roman Catholic and Gothic, churches. Many of Wren's steeples are, therefore, Gothic steeples in classical dress, but many were of the greatest originality and delicate beauty: for example, St Mary-le-Bow in Cheapside; the "wedding cake" St Bride in Fleet Street; and the temple diminuendo concept of Christ Church in Newgate Street.In St Paul's Cathedral Wren showed his ingenuity in adapting the incongruous Royal Warrant Design of 1675. Among his gradual and successful amendments were the intriguing upper lighting of his two-storey choir and the supporting of the lantern by a brick cone inserted between the inner and outer dome shells. The layout of the Royal Hospital at Greenwich illustrates Wren's qualities as an overall large-scale planner and designer. His terms of reference insisted upon the incorporation of the earlier existing Queen's House, erected by Inigo Jones, and of John Webb's King Charles II block. The Queen's House, in particular, created a difficult problem as its smaller size rendered it out of scale with the newer structures. Wren's solution was to make it the focal centre of a great vista between the main flanking larger buildings; this was a masterstroke.[br]Principal Honours and DistinctionsKnighted 1673. President, Royal Society 1681–3. Member of Parliament 1685–7 and 1701–2. Surveyor, Greenwich Hospital 1696. Surveyor, Westminster Abbey 1699.Surveyor-General 1669–1712.Further ReadingR.Dutton, 1951, The Age of Wren, Batsford.M.Briggs, 1953, Wren the Incomparable, Allen \& Unwin. M.Whinney, 1971, Wren, Thames \& Hudson.K.Downes, 1971, Christopher Wren, Allen Lane.G.Beard, 1982, The Work of Sir Christopher Wren, Bartholomew.DY -
7 чудо архитектуры
General subject: a miracle of architecture
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